1 of 2. Sotheby's employees straighten ''Femme assise pres d'une fenetre'' from 1932 by Pablo Picasso at Sotheby's in London January 31, 2013.

LONDON | Tue Feb 5, 2013 7:44pm EST

LONDON (Reuters) - A Pablo Picasso portrait of his mistress and "golden muse" Marie-Therese Walter sold for 28.6 million pounds ($45 million) on Tuesday, leading an important Sotheby's auction of impressionist, modern and surrealist art.

The sale was the first of a series held in London this month by Sotheby's, Christie's and smaller auction houses in the latest barometer of the strength of the high-end art market.

Prices for the most sought-after works have soared in recent years despite broader economic concerns, with collectors in China, Russia and the Middle East joining more established patrons in Europe and the United States.

Subtracting the buyer's premium of more than 10 percent, the amount realized for the 1932 Picasso was at the lower end of pre-sale estimates of 25 million-35 million pounds.

Nonetheless, it was comfortably the top lot of an evening when a series of works on paper by Austrian artist Egon Schiele arguably stole the limelight.

Schiele's 1914 "Lovers (Self Portrait With Wally)" fetched 7.9 million pounds, an auction record for the artist for a work on paper.

Also sold by the Leopold Museum in Vienna was his "Self Portrait in Green Shirt with Eyes Closed" which sold for 5.1 million pounds, well above expectations of between 1.8 million and 2.5 million pounds.

The combined tally for Schiele works, sold by the museum to help settle a long-running restitution case involving art deemed to have been stolen by the Nazis in the 1930s, was 14 million pounds.

Other lots fared less well, notably Max Beckmann's "Before the Ball - Two Women With a Cat" which went unsold despite pre-sale estimates of 5 million-8 million pounds.

Overall the evening brought in 121.1 million pounds in sales, within expectations of 103 million-149 million. Sotheby's said it was their second highest total from an equivalent sale in London.

"Bidders, both new to the market as well as seasoned buyers, reacted with great enthusiasm, in particular to the selection of impressionist works that were considered to be the strongest offering in many years," said Helena Newman, chair of Sotheby's impressionist and modern art in Europe.

Christie's, the world's largest auction house, holds its sale in London on Wednesday.

(Reporting by Mike Collett-White; Editing by Angus MacSwan and Christopher Wilson)

View the original article here

Two men chat in front of a polka dot covered Sotheby's signage, part of an installation by Japanese artist Yayoi Kusama, at Sotheby's newly opened gallery in Hong Kong May 18, 2012.

HONG KONG | Tue Oct 9, 2012 12:12pm EDT

HONG KONG (Reuters) - Sotheby's sold HK$2 billion ($258 million) worth of Asian and Chinese artwork and luxury goods in its autumn sales in Hong Kong on Tuesday, a 37 percent decline from the same period last year as the market consolidates on a weaker China economy.

The tally was also some 18 percent less than the $316 million Sotheby's sold in its Hong Kong spring sales.

The modest showing comes as two major Chinese auction houses muscle into the Hong Kong market for the first time, posing a fresh competitive threat for Sotheby's and rival Christie's whose revenues in Hong Kong have soared on the Chinese art boom in recent years, but which may now be difficult to sustain.

Anchoring the five-day auction series was again Chinese imperial ceramics with a pair of yellow ground famille-rose double-gourd Qianlong vases fetching HK$107 million ($13.7 million) while a pair of turquoise-glazed "pomegranate" vases from the Qianlong period that sold for HK$23 million from the prominent J.M. Hu collection of Qing monochrome wares.

Faring less well, however, were pieces of lesser quality and minor flaws amid more discriminating bidding, with buyers indifferent to some porcelain pieces from even great old European collections such as the Meiyintang.

"It's still quite strong, but more selective," said John Berwald, a London dealer in the room. "It's not so crazy and I think it's better like this. It has just lost some of its exuberance," added Berwald who bid for several Qing wares.

China last year accounted for nearly 44 percent of global auction revenue, according to the French government's Conseil des Ventes art market report, and is a vital driver for the global art market now, making Sotheby's results a stress test of sorts with broader art sector repercussions.

But the market has been dogged by a proliferation of issues including a large-scale Chinese customs probe into tax evasion on art imports that has cooled recent sentiment, while high art taxes, complex regulations, widespread fakes and market manipulation remain tangible risks.

China's annual economic growth is expected to slow for a seventh straight quarter to the weakest level since the global financial crisis, with luxury demand having waned substantially.

"To cool down a bit is a good thing," said Zheng Hong, a mainland Chinese buyer at the ceramics sale. "Last year, it was too high ... China's economy is weakening, property and other sectors are not booming as before, so this is a natural result."

In Sotheby's contemporary Asian art sales, demand was again patchy, even for blue chip artists with 27 percent of lots going unsold, though master works like a 1992 painting by Liu Wei, "Revolutionary Family Series - Invitation to Dinner," made an artist record of $2.24 million, while Indonesian modern artist Lee Man Fong's "Fortune and Longevity" also fetched a record $4.4 million after competitive bidding.

Sotheby's fine Chinese paintings sale was strong with 97 percent of works sold by lot, including auction favourite, Chinese ink master Zhang Daqian's "Swiss Peaks; calligraphy in Xingshu", and Fu Baoshi's "Lady at the Pavilion" that each sold for HK$23 million.

New Hong Kong auction debutante China Guardian, now ranked among the world's top four auction firms is shaking up the landscape in older Chinese paintings, having sold some of the most expensive ink brush paintings in the world in recent years including Qi Baishi's "Eagle Standing on Pine, 1946" that fetched 425 million yuan ($57.2 million) in a Beijing sale.

At Guardian's debut Hong Kong auction on Sunday, a landscape series by Chinese ink painting master Qi Baishi, "Album of Mountains and Rivers, 1922" sold for HK$46 million, helping the Chinese house notch up an eye-catching HK$455 million sales total, nearly a quarter that of Sotheby's overall autumn tally.

Sotheby's, however, recently forged a breakthrough partnership with a Chinese art firm to enter the mainland Chinese market in Beijing for the first time, which could lead to fully fledged sales early next year and let them take on Guardian in their home base.

Chinese authorities have long refused to grant licenses to Sotheby's and Christie's for the lucrative mainland market, with Beijing topping even New York and London for art and collectibles revenues last year with sales of 6.4 billion euros ($8.30 billion) according to the Conseil des Ventes French government annual art market report.

(Reporting by James Pomfret, editing by Paul Casciato)

View the original article here