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Showing posts with label slump. Show all posts

Chinese slump dents global art market in 2012 - study

A visitor looks at a ten-piece set paper screenprint of Mao Zedong by Andy Warhol, which is part of Warhol's series of the late Chinese leader, displayed at the Hong Kong Convention and Exhibition Centre during Christie's 2008 Spring Sales May 26, 2008. REUTERS/Victor Fraile

A visitor looks at a ten-piece set paper screenprint of Mao Zedong by Andy Warhol, which is part of Warhol's series of the late Chinese leader, displayed at the Hong Kong Convention and Exhibition Centre during Christie's 2008 Spring Sales May 26, 2008.

Credit: Reuters/Victor Fraile



LONDON | Wed Mar 13, 2013 8:33pm EDT


LONDON (Reuters) - Chinese spending on art and antiques shrank by nearly a quarter in 2012, ending a streak of spectacular growth that helped drive up global prices and made China the biggest player in the market by 2011, a report said on Thursday.


The study, commissioned by the European Fine Art Foundation which organizes The European Fine Art Fair (TEFAF), estimated the worldwide art and antiques market contracted by seven percent last year to 43 billion euros ($56 billion).


The study, compiled by academic Clare McAndrew, founder of the consulting firm Arts Economics, estimated Chinese art sales fell 24 percent to 10.6 billion euros in 2012.


Auction sales in China dropped an even steeper 30 percent, pushing it into second place in the art market rankings with a 25 percent share behind the United States, which regained its position as market leader with 33 percent.


Britain remained the world's third most important art market at 23 percent, according to the study released to coincide with this year's TEFAF which opens in Maastricht on March 15.


"The main reasons for the deceleration in (Chinese) growth were both demand factors (including a slowdown in economic growth and continuing liquidity constraints) and a reduced amount of high quality, high priced works coming onto the market," said the report.


"Many art funds and other speculative investors also reduced their participation in the market during the year."


The study added that collectors were increasingly focusing on works by so-called "blue chip" artists.


"Many art buyers are minimizing risk by opting for the best-known artists at the top end of the market with post-war and contemporary art performing strongly," it said.


That helped boost auction sales of post-war and contemporary art by five percent in 2012 to almost 4.5 billion euros and took that sector's overall market share to 43 percent.


Modern art was the next biggest sector with auction sales of 3.2 billion euros, representing 30 percent of the fine art auction market but a fall of 17 percent from its 2011 peak of 3.8 billion.


Private retail and dealer sales, as opposed to the auction room, fell four percent to 22.2 billion euros, with the lower end of the market recording the weakest performance.


Several art analysts have voiced concerns over what they say is a growing divide between the top end of the market, where ultra-wealthy buyers snap up rare treasures for staggering sums, and mid- to lower-tier sales which have been more susceptible to broader economic pressures.


(Reporting by Mike Collett-White, Editing by Belinda Goldsmith)


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RIM shares slump as service revenue, subscriber concerns weigh

By Euan Rocha

Thu Dec 20, 2012 9:57pm EST

n">(Reuters) - Research In Motion shares tumbled more than 10 percent on Thursday after the company reported the first ever decline in its subscriber numbers and outlined plans to transform the way it charges for its BlackBerry services.

RIM, which hopes to revive its fortunes and reinvent itself via the launch of a brand new line of BlackBerry 10 devices next month, caught investors off-guard on its quarterly conference call, when it said it plans to alter its service revenue model - a move that will pressure the high-margin business that accounts for about a third of RIM's sales.

"RIM provided few details regarding the economics of these changes, thus adding a large cloud of uncertainty to the primary driver of its profitability, which we view as especially worrisome given risks already surrounding the firm's massive BlackBerry 10 transition," said Morningstar analyst Brian Colello.

Those subscribers who need enhanced services like advanced security will pay for these services, while those who do not use such services will generate much lower to no service revenue, RIM Chief Executive Thorsten Heins told analysts and investors on a conference call on Thursday.

"I want to be very clear on this. Service revenues are not going away, but our business model and service offerings are going to evolve ... The mix in level of service fees revenue will change going forward and will be under pressure over the next year," cautioned Heins.

The news startled investors, who had earlier in the evening pushed RIM's stock more than 7 percent higher in post-market trading, after the company reported a narrower-than-expected quarterly loss and said it boosted its cash cushion ahead of next month's crucial launch of the BlackBerry 10 smartphone.

RIM's shares have for weeks been on a tear as optimism around BB10 has grown. Following RIM's surprise announcement on service revenues, however, the stock ended 9 percent lower at $12.85 in trading after the closing bell.

Analysts also expressed concern about the decline in RIM's subscriber base.

"The early reaction was probably just 'Hey, numbers looked OK, better loss, the cash flow was good' but if you know the company, you're looking at the subscriber base falling off," said Mark McKechnie at Evercore Partners in San Francisco.

CASH BALANCE

One reason the shares rose earlier was RIM managed to build up its cash cushion to $2.9 billion from $2.3 billion in the previous quarter.

Analysts have been keeping a sharp eye on the size of RIM's cash pile, as RIM will need the funds to manufacture and effectively promote BlackBerry 10 in a crowded market.

RIM is counting on the new line to claw back market share lost in recent years to the likes of Apple Inc's iPhone and a slew of devices powered by Google Inc's Android operating system.

"They've done a great job at generating cash," said Raymond James analyst Tavis McCourt in Nashville. "They're certainly in a much better position than they were three or four quarters ago."

The Waterloo, Ontario-based company said it is now testing its BB10 devices with more than 150 carriers - up from about 50 carriers as of the end of October. RIM expects more carriers to come on board ahead of the formal launch of BB10 on January 30.

Positive feedback from developers and carriers around RIM's new BlackBerry 10 devices has buoyed the stock in the last three months. Despite the plunge in RIM's share price on Thursday, the stock has more than doubled in value the last three months.

SMALLER-THAN-EXPECTED LOSS

On an operating basis, RIM fared a little better than Wall Street had expected. It reported a loss of $114 million or 22 cents a share, excluding one-time items. Analysts, on average, had forecast a loss of 35 cents a share, according to Thomson Reuters I/B/E/S.

RIM also reported a surprise net profit of $9 million, or 2 cents a share, for its fiscal third quarter ended December 1, on the back of a one-time income tax related gain. That compared with a year-ago profit of $265 million, or 51 cents.

RIM said it shipped 6.9 million smartphones in the quarter, even as its subscriber base fell to about 79 million in the quarter from about 80 million in the period ended September 1.

In recent years, RIM's user base has grown, even as the BlackBerry lost ground in North America and Europe, boosted by gains in emerging markets. While eye opening, the shrinkage was not as bad as some observers expected during the last quarter before the BB10 launch.

"We're encouraged that the subscriber base only declined slightly during a very public transition, and BlackBerry sales were about what we expected," said Morningstar's Colello, who is based in Chicago.

(Reporting by Euan Rocha; Additional reporting by Alastair Sharp, Cameron French, Allison Martell and John Tilak in Toronto; Editing by Janet Guttsman, Frank McGurty, Jan Paschal and Chris Gallagher)


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