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Author Mantel eyes Booker history, Self a contender

Author Hilary Mantel poses with her book ''Wolf Hall'' after winning the 2009 Man Booker Prize for Fiction at the Guildhall in London October 6, 2009. REUTERS/Luke MacGregor

Author Hilary Mantel poses with her book ''Wolf Hall'' after winning the 2009 Man Booker Prize for Fiction at the Guildhall in London October 6, 2009.

Credit: Reuters/Luke MacGregor



LONDON | Fri Oct 12, 2012 7:56am EDT


LONDON (Reuters) - Hilary Mantel could become the first woman to win the coveted Man Booker Prize for fiction twice with her historical novel "Bring Up the Bodies", the bookmakers' favorite alongside Will Self's "Umbrella".


The annual literary award to an author from the Commonwealth, Zimbabwe or Ireland will be handed out at a glitzy dinner in London on Tuesday, and the build-up this year has been dominated by 60-year-old Mantel.


She won the Booker in 2009 with "Wolf Hall", her acclaimed 650-page historical novel charting Thomas Cromwell's rise to power in King Henry VIII's court, and is in contention again for the sequel.


Were she to win, she would become not only the first female the "do the double" but also the first British writer. South Africa-born J.M. Coetzee and Australian Peter Carey have won the prize twice.


"There has been discussion, I know, about the pros and cons of Mantel advancing so far in the prize again so soon," said Peter Stothard, chair of the Man Booker judging panel and editor of the Times Literary Supplement.


"The judges noted Mantel's even greater mastery of method now," he added.


Mantel could be back in the frame yet again in 2015, when the third and final installment of her Cromwell trilogy, "The Mirror and the Light", is due to hit the shelves.


"MOVING AND DRAINING"


The author has admitted that despite the trilogy's critical and commercial success so far, much was still riding on the final chapter of a 10-year writing odyssey.


"If I get the third book right then in a sense my whole life will have come right," she told Reuters in June. "But if I don't, then I am going to see it as a failure. In my mind it is all one long project."


Self's Umbrella was described by Stothard as "both moving and draining", a reference to some 400 pages without paragraph breaks or chapter divisions.


But he added that the tale about a misdiagnosed woman in a north London mental hospital would prove "much less difficult than at first it seems" to those who stuck with it.


Mantel and Self have taken turns at the top of bookmakers' betting lists.


Mantel edged out Self in odds offered by Paddy Power on Thursday with Bring Up the Bodies at 6/4 after leap-frogging Umbrella at 9/4.


But on Friday, Ladbrokes said Self had attracted a series of bets in the last two days making him 2/1 "hot" favorite ahead of Mantel at 5/2.


The other four shortlisted writers are Deborah Levy ("Swimming Home"), Malaysia's Tan Twan Eng ("The Garden of Evening Mists") and first-time novelists Alison Moore ("The Lighthouse") and Indian author Jeet Thayil ("Narcopolis").


The winner of the Man Booker Prize receives a cheque for 50,000 pounds ($80,000), international literary kudos and, perhaps most importantly, a significant spike in sales.


Research by the Guardian newspaper showed that Mantel's Wolf Hall, for example, sold 35,900 copies before the award was announced and nearly 600,000 afterwards.


The year before, Aravind Adiga's "The White Tiger" had sold just 5,703 copies before it won the Booker, rising nearly a hundredfold to 551,061 afterwards.


(Reporting by Mike Collett-White, editing by Steve Addison)


View the original article here

Henry VIII's "crowne of golde" to go on show in UK

A re-creation of Henry VIII's Imperial Crown is seen in this undated handout picture released in London October 8, 2012. REUTERS/Handout/Robin Forster/Historic Royal Palaces

A re-creation of Henry VIII's Imperial Crown is seen in this undated handout picture released in London October 8, 2012.

Credit: Reuters/Handout/Robin Forster/Historic Royal Palaces



LONDON | Mon Oct 8, 2012 9:11am EDT


LONDON (Reuters) - More than 450 years after adorning one of Britain's most famous regal heads, the lost crown of Henry VIII has been re-created at the monarch's former palace on the outskirts of London.


The crown, which was melted down in 1649 to swell government coffers following Oliver Cromwell's triumph over royal forces in England's civil war, has been assembled from detailed descriptions and portraits of the time.


Recorded as the "kingis crowne of golde" in a royal inventory in 1521, it was worn at the coronations of Henry's children Edward, Mary and Elizabeth, and later at those of James I and Charles I.


The replica weighs 3 kg (6.6 lbs) and is hand-crafted with 344 jewels and pearls. It will take center stage at Henry's Hampton Court Palace home when its Chapel Royal opens this month after seven years of restoration.


Simone Sagi, spokeswoman for Hampton Court, said the crown would only rarely have been seen in public.


"It was only worn on very major occasions such as Epiphany, and would have been worn on the processional route at Hampton Court Palace", she told Reuters.


The re-creation of the crown had involved a large variety of different teams and experts, including Harry Collins who retired this year as Crown jeweller.


It goes on display from October 27.


(Reporting by Stephen Eisenhammer)


View the original article here

"Wizard of Oz" dress set for auction, could fetch $500,000


Mon Oct 8, 2012 2:22pm EDT


n">(Reuters) - Judy Garland's blue-and-white pinafore from the beloved classic "The Wizard of Oz" is going up for auction, where it is expected to sell for more than a half a million dollars, auctioneers said on Monday.


The outfit, consisting of the gingham dress and white puffy-sleeved blouse, which Garland wore throughout the 1939 film, will be sold next month at Julien's Auctions in Beverly Hills, the auction house said in a statement.


Julien's estimated the outfit would sell for between $400,000 and $600,000, but similarly iconic Hollywood costumes have fetched many times the pre-sale expectations in recent years.


President Darren Julien told Reuters the dress, by MGM's famous costume designer, Adrian, had not been offered for sale, nor even publicly seen, since MGM costume designer Kent Warner sold it at Christie's in 1981.


"It's one of those key pieces that I'm sure collectors all over the world are going to be after," said pop culture expert Laura Woolley of the Collector's Lab, an appraisal service for collectors, museums and other institutions, in a YouTube clip posted by Julien's.


"This is one piece that everybody recognizes instantly," she said of the dress prominently featured in the Technicolor musical, which is still hugely popular with both children and adults nearly 75 years after it was made.


Another of Garland's dresses used in test shots for the film soared to nearly $1 million at auction last year, its $910,000 price more than 10 times the $60,000 to $80,000 estimate.


At the same sale of costumes from film star Debbie Reynolds' collection, which took in nearly $23 million, Marilyn Monroe's iconic "subway dress" from 1955 movie "The Seven Year Itch" sold for $4.6 million, or $5.5 million including commission and tax.


The "Wizard of Oz" dress will go on public exhibition at Julien's in Beverly Hills from November 5-8 ahead of the two-day auction.


Other Hollywood memorabilia on offer at the November 9-10 sale include the white strapless Edith Head gown worn by Elizabeth Taylor in "A Place in the Sun," which is estimated at $20,000 to $30,000, and a Cecil Beaton triptych of Marilyn Monroe, which hung in Monroe's New York apartment, estimated at $35,000 to $40,000.


(Reporting by Chris Michaud in New York, editing by Jill Serjeant and Andre Grenon)


View the original article here

Tokyo to NYC street-life shines in Tate photo show


LONDON | Tue Oct 9, 2012 6:54am EDT


LONDON (Reuters) - A toy gun-wielding child, New York high society at play and bored Tokyo commuters are just a few of the startling images at a new Tate Modern exhibition exploring the relationship between two of the 20th century's leading street-life photographers.


"William Klein + Daido Moriyama" features more than 300 vintage prints, paintings, original photo books and installations by U.S. photographers Klein and Japan's Moriyama in a show which runs from October 10 until January 20.


"We wanted to do a show where you have the (photo) book at the heart of the exhibition, particularly William Klein's book about New York, which is probably the most influential photo book of all time...and the idea of combining with Moriyama was natural because he was very influenced by William," co-curator Simon Baker told Reuters at a preview.


The two photographers are known for stark and candid photographs of street-life in the 1960s.


Huge black and white murals pasted to the Tate Modern's walls greet visitors, depicting the daily lives of people in New York, Tokyo and Moscow, capturing scenes of high society at a ball, children outside a candy store or commuters at a station.


Laid out as two halves of a conversation held between the two artists, visitors may recognize one of Klein's more famous portraits for fashion magazine Vogue on the Piazza di Spagna in Rome, where two elegantly dressed models wearing contrasting monochrome dresses are seen strutting on a zebra crossing surrounded by pedestrians and motorists.


Another picture, daubed with thick yellow paint, shows a young boy holding a toy gun aggressively towards the camera aiming directly at Klein, who produced a series of photo essays on New York, Rome and Tokyo each with his usual trademark wide-angle lens and candid close-ups of its citizens.


Moriyama's evocative images of Tokyo's actors and night performers, bored commuters at train stations, and a lone dog, which came to represent the artist in his later years, make up the second half of the show.


Rows of frames each featuring the carefully arranged juxtapositions of photographs from Moriyama's first photo book, "Japan: A Photo Theatre", are laid out page by page for visitors against a vast wall.


The show also features a series of close-ups of seemingly ordinary objects from clothing, machinery and flowers that are transformed with a play on light and shadow into surreal yet recognizable images.


If visitors manage to get some feeling of Japan or Tokyo in particular, then this would be great, Moriyama told Reuters, whose use of blurring, scratches and grainy visual effects in his book of abstract compositions "Sayonara Photography" has made it a lasting favorite.


"With most artists, they'll always say that (their) latest work is the best, or the next one they're producing is the best but at the same time, having looked around here, the one thing that does stick in my memory all the time, is 'Sayonara Photography'."


"That book, that collection...those are the ones that stayed with me throughout my career," Moriyama added.


The series has been described as some of the wildest photographs ever made, Baker added, who worked alongside co-curators Juliet Bingham and Kasia Redzisz.


"The photograph is being really pushed to the limit of what it can represent and I think this is something that is really important in both artists' work."


(Reporting by Li-mei Hoang, editing by Paul Casciato)


View the original article here

Nobel Literature prize to be announced October 11

STOCKHOLM | Mon Oct 8, 2012 5:24am EDT

STOCKHOLM (Reuters) - The 2012 Nobel Literature Prize will be announced at 7 a.m. EDT on Thursday, organizers said, with Japanese novelist Haruki Murakami the bookmakers' favorite to win the 8 million crown ($1.2 million) award.

Other hotly-tipped names include Bob Dylan, Chinese writer Mo Yan and reclusive U.S. novelist Thomas Pynchon.

Swedish poet Tomas Transtromer won last year, pleasing many in the prize's homeland which had not celebrated a winner since Eyvind Johnson and Harry Martinson took home the prize in 1974.

Past winners include U.S. writer William Faulkner, France's Albert Camus and Colombia's Gabriel Garcia Marquez. The last Japanese writer to win the prize was Kenzaburo Oe in 1984.

The award-giving body The Swedish Academy, which announced the date of the literature prize on Monday, is due to announce the winners of its coveted science prizes this week. ($1 = 6.5846 Swedish crowns)

(Reporting by Simon Johnson; Editing by Andrew Heavens)


View the original article here

Wall Street edges lower before earnings

Traders work on the floor of the New York Stock Exchange at the opening of the trading session in New York October 5, 2012. REUTERS/Mike Segar

Traders work on the floor of the New York Stock Exchange at the opening of the trading session in New York October 5, 2012.

Credit: Reuters/Mike Segar

NEW YORK | Tue Oct 9, 2012 9:39am EDT

NEW YORK (Reuters) - U.S. stocks edged lower after the open on Tuesday with investors having little reason to buy equities after the recent rally as they waited for the start later on Tuesday of the U.S. quarterly earnings season.

The Dow Jones industrial average .DJI was down 22.73 points, or 0.17 percent, at 13,560.92. The Standard & Poor's 500 Index .SPX was down 2.27 points, or 0.16 percent, at 1,453.61. The Nasdaq Composite Index .IXIC was down 9.84 points, or 0.32 percent, at 3,102.52.

(Reporting by Ryan Vlastelica; Editing by Kenneth Barry)


View the original article here

Rothko painting defaced at Tate Modern in London

LONDON | Mon Oct 8, 2012 7:12pm EDT

LONDON (Reuters) - A man was arrested on Monday on suspicion of defacing a painting by the Russian-American artist Mark Rothko in London's Tate Modern museum.

The 26-year-old was detained at about 9 p.m. in connection with a case of criminal damage, London's Metropolitan Police said.

The words "Vladimir Umanets, a potential piece of yellowism" were daubed in black onto the bottom-right corner of the painting, "Black on Maroon", on Sunday.

The popular gallery, located in a converted brick power station on the River Thames, issued a statement confirming that "a visitor defaced one of Rothko's Seagram murals by applying a small area of black paint with a brush".

Rothko, a key figure in 20th century abstract painting whose works sell at auction for tens of millions of dollars, was commissioned to paint the Seagram Murals in the 1950s for the Four Seasons restaurant in New York.

Several of them ended up in the Tate collection after being given as gifts, and Tate describes the series of soft-edged, colored rectangles as "iconic".

Tim Wright wrote on the Twitter micro-blogging site that he had witnessed the incident and posted a photograph of the damaged canvas online.

"Very bizarre, he sat there for a while then just went for it and made a quick exit," Wright wrote. "This guy calmly walked up, took out a marker pen and tagged it. Surreal."

In May, Rothko's "Orange, Red, Yellow" sold for $86.9 million, a new auction record for the artist, at Christie's in New York.

(Reporting by Mike Collett-White; Editing by Kevin Liffey)


View the original article here

MetLife builds third-party asset management, revamps real estate

NEW YORK | Tue Oct 9, 2012 9:41am EDT

NEW YORK (Reuters) - Metlife Inc (MET.N) said Tuesday it will build an asset-management business for outside investors focusing on investments in real estate equity, commercial mortgages and debt private placement.

"Asset management is a capital-efficient business with attractive returns on equity," Steven Goulart, MetLife's chief investment officer, said in a statement. "The strong demand for high-quality private assets among institutional investors makes this an attractive time for market entry."

MetLife, the largest U.S. life insurer, which manages some $500 billion in general account assets for its policyholders, currently has a small third-party management business focusing on index funds.

MetLife is reorganizing its real estate and private placement groups to facilitate the expansion.

Robert Merck, global head of real estate investments, will continue to run the group that has been renamed MetLife Real Estate Investors. It currently manages about $43 billion of commercial mortgages and $10 billion in direct real estate investments, assets that will be folded into the outside management business.

The new equity strategies group will be run by Mark Wilsmann, who has led MetLife's commercial mortgage business since 2003.

The new debt strategies group, which will raise funds for real estate projects from institutional investors that include other insurance companies, pension plans and sovereign wealth funds, will be run by Brian Casey. He has been heading MetLife's Washington, D.C., real estate office.

The company, which says it is the largest life insurance lender, currently manages about $50 billion of privately placed debt.

MetLife, which does not break out its individual portfolio investment returns, has no immediate plans to acquire asset-management companies.

"Right now our focus is building on the great strength we have in-house," said Christopher Breslin, a company spokesman.

(Reporting by Jed Horowitz; Editing by Leslie Adler)


View the original article here

Analysis: When implanted medical devices go wrong, who pays?

By Debra Sherman

CHICAGO | Mon Oct 8, 2012 7:03am EDT

CHICAGO (Reuters) - Insurance companies, often stuck with the tab for health services when a medical device fails, are ready to share the pain.

As the number of costly, high-profile recalls rises, along with pressure to cut their own spending, insurers are starting to pin more of the responsibility on manufacturers.

If they succeed, medical device makers - already worried about weaker global demand for many of their products and the impact of a new U.S. tax on their profits - will have even more costs in the wake of product recalls, the biggest of which can already lead to billions of dollars in expenses.

"The (insurance) plans are being more aggressive. The reason it gets so much more focus now is because there are so many cases," said Mark Fischer, chairman of Rawlings & Associates, a unit of the Rawlings Group that helps insurance companies recoup payments from the party that was deemed at fault for claims, a legal service known as subrogation.

In recent years, more than a hundred medical devices were recalled out of concern they could cause serious injury or death.

Rawlings is one of the largest firms providing claims recovery services for the healthcare industry, along with Trover Solutions Group, both based in Louisville, Kentucky. Others include HealthCare Subrogation Group and Meridian Resource Company.

Rawlings is currently retained to pursue more than 30 mass tort cases related to healthcare, compared with an average of about three in a given year just a decade ago, Fischer said.

"There has been a drastic increase in the number of cases being pursued," he said. Insurers tend to hire Rawlings when there are enough cases being filed over a product to warrant multi-district litigation status.

Fischer helped recover funds for insurers from claims on Sulzer Medica's defective hip implants in 2000 and Medtronic Inc's faulty Fidelis defibrillator leads in 2007.

In the Fidelis case, Medtronic settled U.S. lawsuits covering more than 9,000 individual personal injury cases for $221 million, according to their regulatory filings.

Fischer then pursued Medtronic to recover money for clients like WellPoint Inc that had paid doctors and hospitals for treatment relating to the defective leads, or wires that connect an implantable defibrillator to the heart.

He expects a settlement - the first collected from a medical device maker - to be signed by year's end, but would not give a dollar amount.

WellPoint spokeswoman Lori McLaughlin said the insurer routinely tries to collect from manufacturers on recall-related health claims.

Aetna Inc, the nation's third largest insurer, said it has managed to wrest reimbursement from drug and device markers, and has negotiated payments to patients for costs from defective or recalled products, without providing details.

Trover Solutions Chief Executive Robert Bader reckons that about 80 percent of health insurers turn to firms like his to pursue manufacturers in recall cases.

"It's the fiduciary responsibility of the insurer to recover members' premiums from the manufacturer. It's a highly specialized process and so a lot of them outsource," Bader said.

The government's Medicare health plan for the elderly recovers part of the money it paid for recall-related medical services once a settlement is reached, said spokeswoman Kathryn Ceja. She would not give details on how it pursues those funds.

FALLOUT OVER THE RIATA RECALL

A 2010 recall of Riata defibrillator leads by St. Jude Medical could become the next tug-of-war between insurers and medical device makers over who picks up the tab.

Some 79,000 U.S. heart patients still have the lead implanted in a blood vessel leading to the heart. Deciding on how to proceed is tricky since removing the leads may be riskier than leaving them in.

The Food and Drug Administration in August said all Riata patients should receive medical imaging tests to see whether the insulation covering the thin wires eroded, exposing the cables and making them more prone to short-circuit, as well as making the surrounding tissue vulnerable to heat damage.

The agency did not say how often imaging tests should be performed. But ordering just one test per patient will add millions of dollars to the cost of their care.

A single fluoroscopy - which shows a real-time, continuous X-ray image on a monitor - for each Riata patient could cost between $7.9 million and $45.3 million overall, based on a Reuters review of the procedure's cost at different hospitals.

Doctors say more than one X-ray would be needed to monitor the leads, which can remain in a patient's body for many years. Dr. Bruce Lindsay, section head of Cardiovascular Medicine at the Cleveland Clinic, said doing an annual imaging study would probably be sufficient.

Even before the FDA guidelines, Medicare covered the extra cost of imaging studies in almost every instance, doctors say. But some private insurers had balked.

"I've had to call (insurers) constantly and justify it," said Dr. Martin Burke, director of the Heart Rhythm Center at the University of Chicago Medicine.

"We're definitely finding more problems (with Riata leads), but surveillance has gone up. We're finding more because we're looking more," he said.

St. Jude spokeswoman Amy Jo Meyer said the company has expanded its regular warranty to include a baseline fluoroscopic or X-ray screening if a patient's insurer does not cover it. Paying for additional imaging would be reviewed on a case-by-case basis.

"It would not be in device makers' best interest to balk at paying these costs. In the end, they do have to stand behind their products and these products do sometimes fail," said Debbie Wang, an analyst with Morningstar.

TALLYING THE COSTS

Burke and colleagues estimate that Medtronic's Fidelis recall cost Medicare some $287 million over five years for monitoring or replacing the leads, according to a study published in the Heart Rhythm Journal.

Medtronic spokesman Chris Garland said the company gave a credit to patients for its recalled Fidelis leads, plus $1,200 for "reasonable unreimbursed medical expenses." He would not say how many people received the replacement and additional funds.

The Fidelis case was just one out of 113 medical device recalls between 2005 and 2009 classified as serious enough to cause significant health problems or death, according to an analysis published in the Archives of Internal Medicine last year. Most involved devices that correct heart problems.

The study found that 24,000 patients underwent procedures in 2005 related to problems with devices from Medtronic or from Guidant, now part of Boston Scientific Corp.

"We expect manufacturers to take reasonable responsibility for costs associated with a recall of their products to prevent the healthcare system from absorbing the impact," said Aetna spokeswoman Tammy Arnold.

(Editing by Michele Gershberg, Bernard Orr)


View the original article here

Tokyo to NYC street-life shines in Tate photo show


LONDON | Tue Oct 9, 2012 6:54am EDT


LONDON (Reuters) - A toy gun-wielding child, New York high society at play and bored Tokyo commuters are just a few of the startling images at a new Tate Modern exhibition exploring the relationship between two of the 20th century's leading street-life photographers.


"William Klein + Daido Moriyama" features more than 300 vintage prints, paintings, original photo books and installations by U.S. photographers Klein and Japan's Moriyama in a show which runs from October 10 until January 20.


"We wanted to do a show where you have the (photo) book at the heart of the exhibition, particularly William Klein's book about New York, which is probably the most influential photo book of all time...and the idea of combining with Moriyama was natural because he was very influenced by William," co-curator Simon Baker told Reuters at a preview.


The two photographers are known for stark and candid photographs of street-life in the 1960s.


Huge black and white murals pasted to the Tate Modern's walls greet visitors, depicting the daily lives of people in New York, Tokyo and Moscow, capturing scenes of high society at a ball, children outside a candy store or commuters at a station.


Laid out as two halves of a conversation held between the two artists, visitors may recognize one of Klein's more famous portraits for fashion magazine Vogue on the Piazza di Spagna in Rome, where two elegantly dressed models wearing contrasting monochrome dresses are seen strutting on a zebra crossing surrounded by pedestrians and motorists.


Another picture, daubed with thick yellow paint, shows a young boy holding a toy gun aggressively towards the camera aiming directly at Klein, who produced a series of photo essays on New York, Rome and Tokyo each with his usual trademark wide-angle lens and candid close-ups of its citizens.


Moriyama's evocative images of Tokyo's actors and night performers, bored commuters at train stations, and a lone dog, which came to represent the artist in his later years, make up the second half of the show.


Rows of frames each featuring the carefully arranged juxtapositions of photographs from Moriyama's first photo book, "Japan: A Photo Theatre", are laid out page by page for visitors against a vast wall.


The show also features a series of close-ups of seemingly ordinary objects from clothing, machinery and flowers that are transformed with a play on light and shadow into surreal yet recognizable images.


If visitors manage to get some feeling of Japan or Tokyo in particular, then this would be great, Moriyama told Reuters, whose use of blurring, scratches and grainy visual effects in his book of abstract compositions "Sayonara Photography" has made it a lasting favorite.


"With most artists, they'll always say that (their) latest work is the best, or the next one they're producing is the best but at the same time, having looked around here, the one thing that does stick in my memory all the time, is 'Sayonara Photography'."


"That book, that collection...those are the ones that stayed with me throughout my career," Moriyama added.


The series has been described as some of the wildest photographs ever made, Baker added, who worked alongside co-curators Juliet Bingham and Kasia Redzisz.


"The photograph is being really pushed to the limit of what it can represent and I think this is something that is really important in both artists' work."


(Reporting by Li-mei Hoang, editing by Paul Casciato)


View the original article here

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